Bollywood Movie Review: Fanaa

Bollywood Movie Review
Fanaa
 
In Fanaa, Kajol returns to the screen playing Zooni, a young blind girl on her first venture away from her home in Kashmir. In the story, Zooni’s blindness illustrates that sometimes we see things with our hearts but are blind to dangers and deceit.

Zooni travels with a troupe of dancers to Delhi to perform in the Independence Day celebrations. Several days of tours of the historic sites in Delhi are included in the trip. The group has arranged for a bus and guide. The guide is an attractive rogue, Rehan, played by Aamir Khan. Rehan is both charming and cruel. He admits he only wants to satisfy his own desires and does not believe in love as he flirts with the girls.

A Bollywood movie does not cut to the chase as quickly as a Hollywood movie. At the heart of many Bollywood movies are human relationships and family values. Various aspects of the characters and subplots are given time to develop before the central conflict unfolds.

In Fanaa, the cinematography is stunning. Delhi is shown in a rainbow of colors, shining and majestic. Kashmir is pictured like a winter wonderland with endless vistas of beautiful snow capped mountains. The camera captures the silence and wonder of snow.

While one musical interlude is choreographed with a large number of dancers, director, Kunal Kohli lets the rest of the music simply touch the characters as the story moves forward which I think represents Indians’ love of music and poetry as part of their daily lives.

After intermission, the movie changes from a story about love to one about suspense. India’s counter-terrorism organization is tracking a group that has bombed various cultural and political sites over the years. Tabu, the organization’s profiler, works to build a psychological picture of the terrorist group’s mastermind in order to capture the mastermind before the group’s final plan is carried out. The group’s premise is if they are sufficiently armed and perceived as a threat of massive proportion then they could affect the balance of power and achieve independence for Kashmir. 

Zooni is a meaty role for Kajol. As a young blind girl, Zooni is gentle, loving and hopeful. Later, Zooni is a single mother. She is older, wiser, and fiercely protective of her family. Aamir Khan’s character, Rehan, is a man torn between loyalties. At first, he is seen as a self-centered charmer who preys on young women. He has cut himself off from his emotions. Then he falls in love with Zooni and battles his emotions in a struggle over his loyalties. Is he loyal to his love for Zooni, or is he loyal to his former life? Khan’s character believes that loyalty to a belief carries more weight than loyalty to love, even familial love.

(image source: http://blog.chosun.com/web_file/blog/25/25/1/Fanaa.jpg)

In Aamir Khan’s previous movies such as Laagan, Mangal Pandey, Rang de Basanti, and now Fanaa, he seems to be selecting stories that portray a gritty realism. He does not want to be the lover; he wants to be a man of action. When Aamir must play the lover, he does so reluctantly. He wants to be unaffected by emotion, and loyal to his vision. But loyalty is a strong emotion. Khan wants to play to a male audience who feels it is manlier to be pragmatic than to a female audience who feels love is central to life. Yet, when his character, Rehan, must choose love or loyalty, the war between his competing desires plays across his face.

Zooni’s struggle is not choosing between two loyalties, for her, love is part of life, just as is loyalty. She thought love could heal and love could make a prince out of a ruffian. Her struggle is in loving a flawed human being and learning that loyalty can be shattered by deceit.

Director: Kunal Kohli; Producers: Yash and Aditya Chopra; Cast: Kajol, Aamir Khan, Tabu, Rishi Kapoor, Kiron Kher